The sirens of history: Anselm Kiefer’s ‘Die Frauen der Antike’ at La Ribauteby Farren Fei Yuan
Disorder and dissonance: the architectural and utopian ecologies of Sarah Szeby Jennifer Hankin
Amy Cutler: ‘Fossa’ and feminist speculative fictionby Paula Burleigh
John Stezaker, or the world turned upside downby Margaret Iversen
Spiritually overqualified: Robert Rauschenberg and ‘The Happy Apocalypse’ commissionby Leah Modigliani
Versia Harris’s memorial to Hugh Springer: a response to Black Lives Matter protests at All Souls Collegeby Marina Warner
by Michèle Ruo Yi Landolt • 16.07.2025
by Yi Ting Lee • 11.07.2025
The cinematic mindset of Ali Cherri
Jelena Sofronijevic • 10.07.2025
Helen Chadwick: Life Pleasures
Anneka French • 04.07.2025
Euforia Tomaso Binga
Valentina Bin • 27.06.2025
Ed Atkins
Tom Denman • 18.06.2025
The Autonomy of Art is Ordinary
Andrew Chesher • 11.06.2025
Jaune Quick-to-See Smith (1940–2025)
Carolyn Kastner • 06.06.2025
The politics of paper
Stephanie Straine • 30.05.2025
Rebecca Horn (1944–2024)
Bettina M. Busse • 23.05.2025
June 2025
The sirens of history: Anselm Kiefer’s ‘Die Frauen der Antike’ at La Ribaute
Farren Fei Yuan
Disorder and dissonance: the architectural and utopian ecologies of Sarah Sze
Jennifer Hankin
Amy Cutler: ‘Fossa’ and feminist speculative fiction
Paula Burleigh
John Stezaker, or the world turned upside down
Margaret Iversen
Spiritually overqualified: Robert Rauschenberg and ‘The Happy Apocalypse’ commission
Leah Modigliani
Versia Harris’s memorial to Hugh Springer: a response to Black Lives Matter protests at All Souls College
Marina Warner
Reviews and articles
Gala Porras-Kim
Michèle Ruo Yi Landolt • 16.07.2025
Articles / Interview
Yukinori Yanagi: ICARUS
Yi Ting Lee • 11.07.2025
Reviews / Exhibition
Articles / Article review
Reviews / Books
Articles / Obituary
Latest journal issue
Issue 12
by Paula Burleigh
by Margaret Iversen
by Leah Modigliani
by Marina Warner
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